Resumen
This article analyzes the theatrical work La Manzana de Eva (Eve’s Apple) as a research-creation practice, aiming to connect the creative process with feminist fabulations through the analysis of the script and autoethnography. It also proposes that this practice transcends the commonplaces typically assigned to victims of gender-based violence. Through parody, affects, and performativity, the performers inhabit the category of victims with new meanings, daring to make speculative gestures that position them as protagonists of their own story.
| Título traducido de la contribución | From Narrative Productions to Feminist Fabulation: La Manzana de Eva |
|---|---|
| Idioma original | Español |
| Publicación | Nomadas |
| Volumen | 57 |
| DOI | |
| Estado | Publicada - ene 2023 |
Nota bibliográfica
Publisher Copyright:© 2023 Universidad Central. All rights reserved.
ODS de las Naciones Unidas
Este resultado contribuye a los siguientes Objetivos de Desarrollo Sostenible
-
ODS 5: Igualdad de género
-
ODS 16: Paz, justicia e instituciones sólidas
Palabras clave
- affect
- body
- feminist fabulations
- gender-based violence
- narrative productions
- speculation
Areas de Conocimiento del CACES
- 413A Estudios Sociales y Culturales
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