Abstract
This article analyzes the theatrical work La Manzana de Eva (Eve’s Apple) as a research-creation practice, aiming to connect the creative process with feminist fabulations through the analysis of the script and autoethnography. It also proposes that this practice transcends the commonplaces typically assigned to victims of gender-based violence. Through parody, affects, and performativity, the performers inhabit the category of victims with new meanings, daring to make speculative gestures that position them as protagonists of their own story.
| Translated title of the contribution | From Narrative Productions to Feminist Fabulation: La Manzana de Eva |
|---|---|
| Original language | Spanish |
| Journal | Nomadas |
| Volume | 57 |
| DOIs | |
| State | Published - Jan 2023 |
Bibliographical note
Publisher Copyright:© 2023 Universidad Central. All rights reserved.
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 5 Gender Equality
-
SDG 16 Peace, Justice and Strong Institutions
CACES Knowledge Areas
- 413A Social and Cultural Studies
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver